Monday, March 4, 2024

Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls by Kathleen Hale


In 2014, in Wisconsin, a young girl was nearly killed. There were a number of reasons this case was unusual, but among the top were that it was perpetrated by two 12-year old girls and that the apparent motive revolved around the fictional and internet-famous Slenderman.

While this sounds fascinating, it was less about Slenderman and more about the delusions kids can talk themselves into. What was more relevant is the fact that one of the two girls was experiencing undiagnosed schizophrenia at the time. It was a perfect storm of mental illness, impressionable underdeveloped brains, and a fascination for the macabre that culminated in the near death of 12-year old Peyton Lautner on her twelfth birthday.

This true-crime novel is told mostly from the perspective of one of the offenders, Morgan Geyser. This is due, in part, to the Geyser family's willingness to work with Kathleen Hale on the book. But Hale still does her research and provides an in-depth account of the events leading up to, during, and after the attack. But because of the fact that Lautner's family didn't work directly with Hale, her perspective and struggles through these events are not as prominent as the experience of the offenders. 

With that in mind, I found Hale's analysis of Geyser's experience in custody terrifying as a parent. The roadblocks Geyser faced in getting medical care were an additional tragedy that is probably all too common in any U.S. detention system. And depending on your personal beliefs, you may also find it tragic that two 12-year old girls were interrogated without legal counsel and found to be tried as adults for their crimes.

You may go into this one thinking you'll learn about a horrific crime, but you'll also come away with a horrifying look at our criminal justice system, especially for juveniles.
 


Saturday, March 2, 2024

In An Absent Dream (Wayward Children #4) by Seanan McGuire


If you aren't familiar with this series, it begins with Every Heart a Doorway, a novella about Eleanor West's Home for Wayward Children. West runs a boarding school for children who have been to other worlds and returned unable to readjust to regular life. Every Heart a Doorway introduces a lot of children who have traveled to these worlds, but doesn't really flesh out individual stories.

McGuire's subsequent books explore these individual stories. One of the great things about this series is that you don't really have to go in order. While there are some threads between books, you really can read them as stand-a-lone books.

In an Absent Dream is the story of Katherine. She's a rule-following girl who always listens to adults and does what is expected of her. Her father is her elementary school's Principal. And because of this, Katherine finds it hard to make and keep friends and feels disconnected with her family. One day, she strays from her normal path home and finds a door in the trunk of a tree. Of course she decides to see what is inside.

Beyond this door, Katherine discovers the Market, which has rules that must be followed based largely on fair value and making and keeping agreements. As a young child, she is given leeway in the agreements she makes and others are allowed to take on debt she incurs. She develops a friendship with another girl and is mentored by a mother-like figure during her visit, which eventually ends.

Upon returning to the normal world, Katherine, who now goes by her surname, Lundy, tries to adjust to normal life. The mystery of her disappearance is an open secret by those around her, except to maybe her father, who seems to know something about her experience. 

As she grows older, Lundy travels back and forth between worlds, learning more about the Market and the importance of paying back debts, including those her dear friend took on during Lundy's first visit. But Lundy also develops a deeper relationship with her sister, and subsequent visits to the market are interrupted as Lundy travels back to keep commitments to her family.  Lundy knows however, that the flexibility given children by the Market will soon fade and she will eventually be forced to decide between the two worlds.  

In An Absent Dream is a short story about another world that might not be perfect, but might be just what Lundy is looking for. It's interesting and dark and fun to read about, but I feel that there is a certain spark that is missing that could elevate this book to a higher level. I'm not sure what exactly it is: that the books are too short to dig deeper, or that the Market isn't a world that speaks to me. 

One of my criticisms about Every Heart a Doorway was that the individual stories weren't fleshed out enough so I appreciate these individual stories. While I feel there could be a lot more said about Lundy's world, I think what we got was just enough to get the point across in this short story.

Monday, February 19, 2024

Blindsight by Peter Watts


This book was so good, I read it twice. And I don't mean, I read it years ago and wanted to read it again. No, I read it (or rather, listened to it) about a week ago, finished it feeling I hadn't retained much, and then immediately re-read it. 

On the first go, I was constantly confused about what was going on and who the various characters were. I couldn't even really say what the basic plot was. This probably isn't making my case that this is a good book, and I wasn't feeling that way either. But despite this, I realized I was never bored while listening, and I liked a lot of the ideas I heard, it was just so dense with information that anytime I tried to multitask, I'd miss something (one of the pitfalls of listening to my books instead of reading them).

So I checked some blogs online, brushed up on the basic plot and characters, and tried again. This time, I focused on really paying attention, cut out the multitasking, and it paid off.

Blindsight is a hard science fiction book, written in 2006 by Peter Watts. It's full of interesting concepts like, well, blindsight, first of all, which is the ability to perform a task without consciousness. An example given in the book occurs when a person is temporarily blinded, yet is able to react to visual stimulus. This article, from the BBC, explains the concept much better: 

"Just how many of our decisions occur out of our awareness, even when we have the illusion of control? And if the conscious mind is not needed to direct our actions, then what is its purpose? Why did we evolve this vivid internal life, if we are almost 'zombies' acting without awareness?"

This quote could have been pulled directly from Watts' book. In fact, he also brings up the concept of zombies in a similar context. Watts explores consciousness as an abnormal, evolutionary quirk. Perhaps, humans are flukes of nature, slowed by our sense of self. Could there be intelligent life that isn't self-aware? What benefit to survival does consciousness actually provide?

Watts also includes concepts of AI, the observer effect, von Neumann machines, Turing machines, game theory, and even vapirism.

All is presented in the context of a society that is a few years away from achieving a single consciousness. The need for bodies is fast in decline - people can upload themselves to "heaven" while their bodies lay in storage, sex in the first person is considered old-fashioned, body modifications include brain treatments and tweaks, and alterations abound that basically turn people into biomachines.

Our narrator, Siri Keeton, underwent a hemispherectomy as a child to treat epileptic seizures. The debilitating surgery took most of his ability to have emotions, but enabled him to become a synthesist - someone who takes vasts amounts of complex information and relays it to others in a coherent way. 

In 2082, the fireflies came. The world was awash in light due to alien probes that surrounded Earth and took a picture of its entire surface. Earth responded by sending Siri and four others (not including their backups, who would remain in stasis unless needed), to follow a signal believed to be coming from a comet. Blindsight begins with the crew waking up five years into their  journey, having gone off course, and severely overslept.

Their ship is Theseus, which is described anthropomorphically and run by an AI captain. It has some kind of user interface that all the crew can interact with called ConSensus that allows them to upload and share information and communicate remotely. Theseus's AI communicates exclusively with Jukka Sarasti, a vampire who has been resurrected from the Pleistocene era, to command the crew. There is also Isaac Szpindel, the biologist and physician, who can hear X-rays and see in shades of ultrasound. Then there is Amanda Bates, whose military background provides expertise relevant to the ship's and crew's physical security. Finally, we have the "gang of four." This is a person who had multiple personalities induced - the primary personality being Susan James, a linguist. Also inhabiting the same body is Michelle (another synthesist), Sascha (I'm not sure of her specific role), and Cruncher, a male who mostly stays in the background, well, crunching data.

The crew can all be considered altered in various ways, so much so, a normal person wouldn't be able to comprehend interactions between them, which might occur in various languages and even without known language, which would seem nonsensical to a layperson. "No real scientist would allow their thoughts to be hamstrung by  conceptual limitations of a single language...It's just that once you get past a certain point, formal speech is too damn slow!" So it is Siri's job to observe and understand everyone's intentions and relay this information back to mission command. 

Theseus travels to Big Ben, a quantum particle as heavy as 10 jupiters. There they encounter Rorshach, a sort of civilization? Factory? Well, they're not so sure, so they attempt to make contact. Unfortunately for them, Rorshach is rife with radiation that means any forays into its environs result in radiation sickness, which can include physical symptoms such as blindness, tumors, and eventually, death, but also psychological symptoms reminiscent of hauntings, loss of self, and possession. Each trip to Rorshach requires the crew to spend time in the ship's medical bay, healing from the effects of their trip. And then they do it all over again.

If you're still with me in this review, it means you're finding these concepts as fascinating as I did. I'd recommend this book to you with one caveat - it's dense and requires your full attention. Save yourself the second read-through and pay attention the first time around. You'll be better for it.

And for some extra fun, check out Watts' website. He has extra content relevant to the book as well as some of his novels available in their entirety. I checked out Blindsight and found there were notes and references that provided fun information like a primer on vampires and the physiology of the aliens encountered. I'm kinda annoyed that wasn't a part of my audiobook. I also found some great art made for various versions of the book, and learned there is a sequel to Blindsight, called Echopraxia, so it was definitely worth a look.

Saturday, February 3, 2024

The September House by Carissa Orlando

 

Have you seen the show Ghosts? It's a campy sitcom about a woman who sees ghosts in her house and has learned to live with them. This is kinda like that, but a lot more macabre, and a lot more funny!

If it isn't bad enough to live in a haunted house, try living in this haunted house in September! The ghosts act up more than usual, the walls bleed profusely, and forget about sleeping, with all the moaning and screaming. But Margaret is resigned to this. She's learned to adapt, ignore, and tolerate all the goings on. She's tried the usual remedies: priests, microfiche research, ouija boards, digging up bones, and more. But eventually things go back to the way they were, and of course, there's always September.

Take Elias, for example. The boy who doesn't speak but howls, and bites if you get too close. Margaret has learned to just treat him like a plant, narrating her life around him, while expecting no response in return. And it works! Unless she gets too close of course, but shame on her for crossing his boundaries. Margaret understands that if she follows the rules, bites will be kept to a minimum. 

In this way she has managed to figure out what triggers each ghost. If you don't want the upstairs bedroom ghosts to crawl out of the fireplace, don't start a fire! Easy! And sometimes avoidance is best, which is the case for Master Vale, who lives in the basement. The Bible pages attached to the back of the door seem to be doing the trick, as long as the door stays boarded up. 

By playing by the rules, Margaret has learned to coexist in this crowded house. But her husband, Hal, isn't quite as understanding and leaves. And this is news that she can only hide from her daughter, Katherine, for so long. Eventually, Katherine insists on a visit to figure out where Hal went. Unfortunately for Margaret, this is in the middle of September, when even the best behaved ghosts find themselves relieving their anxiety by rearranging the furniture a la poltergeist style:


Unfortunately, this also means the door to the basement has to get unboarded, in order to avoid more questions about what's...down there. 

What's great about this book is how a lot of what goes on can have an alternate meaning to an outside observer: Frederika, the helpful housekeeper, likes to make tea for Margaret. But all Katherine knows is that the stove is on and left unattended constantly. Or Katherine will catch Margaret talking, seemingly to herself. And signs that Margaret sees as other worldy messages are seen as meaningless noise by Katherine, who grows increasingly worried for her mother as she observes more and more bizarre behavior.

Just like the plot of a typical sitcom - misunderstanding abounds and hilarity ensues, with a touch of horror mixed in. This is a great read that will keep you entertained the entire time.

Wednesday, January 31, 2024

The Candy House by Jennifer Egan


This book made me kinda mad. But it's partially my fault. Apparently it's a sequel and I'm not sure how I didn't know that going in. For those who live under a rock, like me, Jennifer Egan wrote A Visit From the Goon Squad. Did you know there's a sequel to that? Yeah yeah.

I'm not convinced you need to read one to get the other though. Based on Egan's style of writing, which is to say, eclectic. There are a multitude of characters with loose connections to each other. So much so that I made a lot of notes about who was who and how they knew each other. Turns out that didn't really matter because I'm not sure there's really a plot. Or if there was, I completely missed it.

Let me try to explain it like this...let's say you want to know the story of the Three Little Pigs. I'll start with a chapter on the son of the man who harvested the straw one of the pigs used for his house. You might get excited reading about this man, whose life sounds beguiling. But the next chapter will then be about the aunt of the wolf and how she went on a trip that resulted in her meeting her mate and having a pup who occasionally hung out with his cousin when they were little. Then I might write a chapter about one of the pig's adventures that involved a wolf trying to blow his house down, but it won't be obvious that is what is actually happening. Maybe there will be an entire chapter written in emails (which is kinda fun) about one of the pig's kids trying to meet them via a seven degrees of Kevin Bacon scheme. But you won't realize it's the pig's kid because there are too many characters mentioned to keep track of, even though you took COPIUS notes about who was who. All the time you're thinking, "What about the other two pigs and how it all ends? Wait, what was this story about again?"

That's kinda how I felt during and after reading this book. I just couldn't get into it and I'm not sure I even know what the story was about. And here's what I thought the story was about - a future where people could download all their memories with the option to upload them to a collective consciousness. So you could search specific dates, people, or events, and benefit from the memories of anyone who experienced that thing. Sounds INTRIGUING, right? If you want to know more about that, I wouldn't recommend this book.

Speak by Laurie Halse Anderson

"Your words are kindling, twigs covered in wax, soaked in lamp oil, sticky with tar. Your breath is a match, scratching along sandpaper... Whisper break the silence, one word, then two...with every word spoken a loud victory. The words burst into flames, the silence, broken."

This imagery from the novel's foreward was so powerful and poetic, and the story hadn't even started yet! But what a great story it is, and beautifully told - even though one doesn't think of freshman year of high school as an ideal setting. And for Melinda Sordino, it certainly isn't. The summer before high school, Melinda's life changed when she was raped at a party. She called the police for help, but couldn't find the words to describe what happened. Her silence did nothing to dispel rumors that she ratted on the party. Melinda grew deeper into depression and isolation as the year progressed, barely able to speak more than the minimum to interact with others. 

Melinda's world around her slowly falls apart, a symptom of the inner turmoil she faces. Her friends, new and old, abandon her. Her relationship with her parents is strained. And her grades suffer, except in art class, where she is tasked with a project based on a randomly chosen object, a tree.

Besides all of this, Melinda still experiences the usual high school dramas: finding a place to belong, making friends, keeping friends, and what activities to participate in. And the story is told from Melinda's perspective in short, aptly-titled segments that focus on different aspects of her life and the life many of us have faced in those formative years. 

Besides being an accessible, easy to read story, there were also a lot of symbolic nuggets that were fun to discover, including an ironic high school classroom discussion about symbolism in Nathaniel Hawthorne's The Scarlet Letter. One student defiantly declared that authors don't use symbolism, at least in the way the high school teacher believed (I remember having a similar conversation about The Great Gatsby!), and the class was quickly assigned an essay on the use of Hawthorne's symbolism. "That's what you get for speaking up" laments Melinda, a further reinforcement of the benefits of silence. 

Although afraid to speak and interact with others, Melinda still has a clear voice in the novel. She's a great narrator and you'll root for her the entire way, while maybe realizing she is someone you know - an acquaintance, a friend, or even yourself. Her story is the story of so many people that must be told, and in the end, Melinda finds a way to tell it.

Monday, January 29, 2024

Sundial by Catriona Ward

We all have roots - and good, bad, or something in the middle, there's always something to learn from them. Whether it's understanding why you are the way you are, or recognizing that history is repeating itself and trying to stop that, or even trying to glean new information that might help you moving forward, it all comes back to where you began. And for Rob, that's Sundial.

Rob grew up with her sister on Sundial, a ranch where their father and his wife hosted college students that ran experiments designed to influence dogs' behavior via an implanted chip in their brains. There's really no good way to transition from that last sentence, so I'll just say that living isolated on the ranch, home-schooled, and only peripherally interacting with the students, Rob's experiences inform her views as an adult. And when she starts noticing disturbing behavior from her daughter, Callie, Rob feels it's necessary to take Callie to Sundial, to teach her about Rob's upbringing. Oh, and to dig up (literally and figuratively) family secrets that she thought she had left behind.

The cover shown here says Stephen King found the book terrifying. It's not quite as literally terrifying as it is figuratively. Let's just say I'm not sure I would reach for this book first, if terror is what I'm looking for. It's more mystery, some thriller, and a little bizarre. But honestly, I feel like there are other mysteries that are more mysterious, other thrillers more thrilling, and other premises more deliciously bizarre than what is offered here. 

This was a slow-burn for me. It took me awhile to get into, and I have to admit, I didn't enjoy this book as much as I enjoyed Ward's other book, The Last House on Needless Street. I didn't feel as invested in the characters in this one. Maybe Ward was too successful in making them unlikeable, so I didn't care as much about them, which, unfortunately, affected how I felt about the book as well.