The Three-Body Problem by Cixin Liu

*some spoilers ahead*

If you, like me, had never heard of this book until Netflix aired the eponymous series, it's ok. Sometimes we watch the movie/tv show/whatever and then read the book, even though it feels weird. 

Three-Body Problem is a concept in classical mechanics that describes the motion of three masses that orbit each other in space. The problem is that there is no solution to always accurately describe their motion (thanks wikipedia). 

So now imagine there is a planet, called Trisolaris, with three suns. The positions of the suns are unpredicable and can result in times of stability or chaos, depending on how close each of the suns gets to the planet. In fact, multiple civilizations have evolved and died out on Trisolaris. Some exist for relatively short periods of time, some long enough to get to the stone age, or the industrial age, before a chaotic period begins and destroys all of civilization.

But this book is less about Trisolaris and its inhabitants and more about earth and its inhabitants. What if there was a group of people who knew about Trisolaris? What if they wanted to help the Trisolarins find a new planet to inhabit? Much like the political climate today, there are some who would say, "bring 'em here! I don't care if humanity is destroyed in the process!" and others who would try to solve the three-body problem so they could stay where they are.

But part of the problem is that someone has already invited them to earth. And even though the journey is 450 years out, the toothpaste is out of the tube, as they say. But 450 years is a lot of time for Earth's civilization to evolve and improve while the Trisolarins remain static in their journey. So the Trisolarins invent a unique solution to stall scientific progress on earth. And this is where the story begins, with the suicide of several notable scientists, and a task force created to understand why.

This book blends a lot of scientific principles in a fairly easy to read story. It also deals with issues related to China's cultural revolution, environmental preservation, and scientific progress. While it's not my favorite sci-fi book I've read this year, I'll be picking up the second part of this trilogy to see what happens next.

Children of Time by Adirian Tchaikosky

I read this book to get my brother to stop talking about alien *insert creepy animal here (I don't want to spoil it)*. Every time I'd see him, he would ask if I read Children of Time and then proceed to explain the premise as if he hadn't explained it to me the last time I saw him. After maybe the fourth or fifth time I decided to read the book to shut him up.

Look, I'm not a big sci-fi reader, but this one did actually sound interesting to me. It's about how Earth begins terraforming planets to prepare them as possible future homesteads for humans. Part of this plan involved developing a nanovirus to speed evolution in a selected species, allowing it to quickly evolve on one of these planets. This was a hail Mary in case the human species didn't survive.

Most of the book occurs thousands of years after these efforts, when humans only have faint memories of the "old empire" that carried out the terraforming and nanovirus projects. A spaceship of hundreds of cryogenically sleeping people has set out to find one of these planets and inhabit it, as Earth is increasingly becoming uninhabitable. After finding a potential planet, they are stopped from landing by what seems to be a keeper of the planet. It's unclear if they are communicating with a human, AI, or a combination of the two. But what is clear, is the entity will do everything in its power to protect the planet and its children.

A great aspect of this book is that we get the perspective of the inhabitants on the spaceship but also the inhabitants of the terraformed planet. While I was less interested in their day to day life and politics (which was still interesting), I was fascinated by their idea of religion, which involved the mysterious keeper of their race. The premise provided a great way to explore the idea of a species origins and the development of religion. While it seems plausible to understand how this civilization came to its beliefs, it really makes you wonder about your own.

This is the first of three books in the Children of Time series, which was awarded the Hugo award for best series in 2023. I liked this one so much, I'll pick up the next, Children of Ruin, which is about a different terraformed planet. I haven't heard anything more about the plot, which probably means my brother hasn't read it yet. I'll have to read it first and tell him all about it! 

The Women by Kristin Hannah

So there's good news and bad news. Good news is, I loved this book. Bad new is that I had my top five already written up before I finished The Women, and now I have to rewrite it. It's definitely worth the extra work though (although the book that got booted might disagree).

The Women is set during the Vietnam war and follows the path of Frankie McGrath, who comes from an affluent family that proudly celebrated military service. Following the path her brother took, in 1966, idealistic 20-year old Frankie impetuously enlists to serve as a combat nurse. Her experience is so minimal that the only branch that will take her is the Army. And it's with them that she spends two years in Vietnam, treating not only servicemen wounded from the war, but local Vietnamese as well. In addition to seeing the horrific wounds caused by guns, bombs, and napalm, Frankie experiences attacks on the hospital and the loss of loved ones.

I couldn't believe Frankie's time in service took up only about a third of the book. It was so packed with information and so fascinating that I just couldn't understand what more there could be that was as memorable. But Hannah delivers from the first page to the last, continuing Frankie's story until 1982. 

After her 2nd tour, Frankie returns home to people spitting on her and cursing her for her service. Her  family denies she was ever in Vietnam, having told their friends she was studying abroad. Even the VA turns Frankie away after she seeks help dealing with her nightmares and anxiety, telling her "women weren't in Vietnam." 

With her family's refusal to acknowledge the war, the military's lack of support, and her closest friends hundreds of miles away, Frankie doesn't know how to keep her life together. And being with her through it all is captivating. Sure, this book is about the Vietnam war, but it's more about trauma. Hannah manages to remove the stigma of a lot of things Frankie deals with, like drug abuse, PTSD, and psychosis. She walks us through the metamorphosis of a bright-eyed, naive young girl to a broken, lost woman. And it all makes sense and feels so deeply personal.  

While the story is primarily about Frankie, The Women is ultimately about all the women who served in Vietnam, like Frankie's best friends Barb and Ethel. Although they and other characters play a smaller role, Hannah gives all of them dimension. And while they are all far from perfect, they are perfectly written. 

This is not just a good story, it has historical significance with themes that are still relevant today. Hannah's dedication to her research and to the women she honors is fully realized in The Women and I couldn't recommend it more!

I Was A Teenage Slasher by Stephen Graham Jones

 

This is an unusual take of the slasher genre that I found refreshing. Is that an appropriate word to use when talking about slashers? Probably not, but I'm not sure what would work better...it was gruesomely delightful. How's that?

I can't say it's the first of its kind - the story reminds me of Scream, or even, to a lesser extent, Cabin in the Woods, where there was a comical self-awareness of the genre embedded in the story. 

I was a Teenage Slasher is narrated by Tolly Driver, who was a teenager in a small town in Texas in 1989. He's looking back and telling us how he became a slasher whose killing spree ended up spawning the to be expected media storm but also a movie! If there's a trope involved in slasher stories, it will likely be in this book, but in a tongue and cheek way. And while Tolly isn't super knowledgeable about horror and slasher lore, his best friend, Amber, is. 

The event that preceeds Tolly's metamorphosis is a story in itself...a revenge massacre that is too out there to believe. And after that night, Tolly experiences strange symptoms that seem to give him superpowers, like night vision and super strength. But with these enhancements come a realization that they aren't to be used for good. Tolly and Amber try to understand what is going on and to prevent him from acting out, but nothing seems to stop his transformation. It's inevitable and there are rules that must be followed. But can he learn the rules and circumvent them somehow?

One comment about Tolly's narration, he speaks in a way that I found difficult to follow. His thoughts seemed disjointed and lacking in context. There were also a lot of characters who would say something and then say, "what" at the end, which I didn't really get. For example: "She break up with you already, what?" I don't know if that's a regional thing or not, but it seemed strange.

Or there would be a phrase or description I just didn't get, like this one: "We went all the way down to the gate then walked back along the fence to take the steps up like a citizen." Or there was this sentence, "Too, though?"

I think it's partially Tolly's way of speaking but there were a lot of these little things I'd come upon while reading that just made the book a little harder to get through. The story itself was okay, but more a vehicle to explore the premise, which is what I really enjoyed. It was overall a fun and clever read.   

One Puzzling Afternoon by Emily Crutchley

This book follows what I find to be a common formula: an (arguably) unreliable narrator, and two different timelines: one in the 50s and the other in the 2010s. So we get bits and pieces of a mystery about a missing girl in alternating chapters. 

Our narrator is 82-year-old Edie (or 15 years old in the 1950's time-line). As a child, Edie is an outcast. She's poor and has an unusual home-life, as her mother performs seances. Edie meets Lucy, the mayor's daughter, and they become friends. While Edie adores Lucy and finds her life glamorous in many ways, Edie knows Lucy's love-life is a mess. While the handsome, popular boy is enamored with Lucy, she only has eyes for a much older, married man.

As an 82 year-old woman, Edie struggles with the onset of dementia. Thinking she sees Lucy one day sets her on an obsessive search of her own mind to remember what happened the day Lucy disappeared.

What works for me in this book is how Crutchley portrays Edie's dementia...how we see things from her perspective. Edie might say something that seems nonsensical to anyone else who doesn't know what she's thinking about at the time. But it makes sense to us, because we are privy to her thoughts. But that's not to say Edie is simply misunderstood, she's still suffering from dementia. So she might think she's in the 1950s timeline when it's 2018. But knowing that makes her responses make sense. 

I also like Edie's mother, who we don't really know is a fraud or not. There are definite indications that she is, but also indications she isn't. Is she accidentally right some of the time? Or does she have the gift of third sight without knowing it or fully understanding it? In some ways, she's like 82 year-old Edie. Not always making sense in the moment, but time has a way of bringing things together. 

While it's a good book, it wasn't one I couldn't put down. And much like those with that formula, it's fun in the moment and an easy read, but not one of my year's best. 

Lincoln in the Bardo by George Saunders

Lincoln in the Bardo is a story that you chew on. You can't just sip it and multitask and hope to passively absorb it. You have to pay attention and actively read (or listen, in my case). But it's so rewarding when you finish it, and worth the extra mental effort.

If you're like me and thinking a Bardo is something like a bar, you are completely wrong my friend. In buddhism, a bardo is a liminal space between death and rebirth. So we are visiting this space along with Willie Lincoln, Abraham Lincoln's son, who died at age 11 from illness. Saunders uses both fact and fiction to weave a story of Willie's visit to the local cemetery after his death.

Willie meets a host of ghosts who have somehow avoided the judgement that sends them to their eternal fate, whether it's heaven, hell, or something in between. Saunders introduces various ghosts, each with their own backstory and...peculiarities...that have manifested in death.

Like Roger Bevins, who grows extra eyes, hands, and noses, among other things, when he can’t quiet his mind, which is pretty much all the time.

And there's the Reverend Everly Thomas, who has "eyebrows arched high...hair sticking straight up...mouth in a perfect O of terror." But despite his surprising appearance, he speaks with "the utmost calmness and good sense." If you're wondering why the Reverend hasn't managed to move on, his story delves into the judgement phase of death that we don't see with the others (and which was executed unnervingly in the audiobook).

Or Jane Ellis, who is surrounded by 3 gelatinous orbs - each representing one of her 3 daughters. Whether or not the orbs bear down on her, depart, or become life-sized manifestations of her daughters expressing a difficult situation, they cause Ellis severe distress. Also, sometimes Ellis saw everyone as a giant mustache with legs (which she despised of her husband).

And there's Mrs. Blass, once wealthy, but in death smaller than a baby, who gnaws at rocks and twigs, gathering and zealously defending them, counting and recounting her possessions, always short a few things.

And Trevor Williams - a hunter who has to briefly hold each animal that he killed, with loving attention while the animal is in the state of fear when it passed. And until that fear passes, he can't let go.

What the book reveals, that I won't, is each of their backstories - how they died and why they are stuck in the cemetery. Saunders makes each ghost unique and strange with paralleles between their lives and afterlives that are both compelling and at times, unclear.

What is clear, however, is that everyone is "stuck" in a way in the cemetery. Bound to the bardo. But there are ways to leave. In fact, a lot of the newly dead briefly come to the cemetery but quickly move on. But for those who don't, occasionally they are visited by sinister creatures, who come in a form most tempting to each individual and compel as many as they can to leave. Those who do, disappear with a lightning crack.

Another thing that is revealed is that the bardo is not a space for children. So when Willie shows up, the others become concerned after he lingers longer than he should. They don't want him to end up like Elise, the 14 year-old girl who ended up staying...

But there is something about Willie's father, who visits, and mourns, and holds Willie in death. Everyone sees something about him that makes them believe they can use him to help Willie leave.

There is so much to unpack in this book, which is strange, funny, and haunting all at once. You'll think about your life and death and everything in between. I'd say more, but I don't want to spoil some of the other themes that are explored in this book, mainly those having to do with why the ghosts won't leave the Bardo and the toll that staying takes on them.

A note about the format of this book: I listened to the audiobook and found myself scratching my head. There are so many characters who just...speak. Meaning, one person talks, then another, and there isn't any narration or even mention of "this person said..." or "replied this other person..." And there were a lot of characters, so I kept getting lost in terms of who was who.

So I was really curious about what the hardcopy text actually looked like. And when I saw the formatting, it all came together. Here's an example:

Efficacious

roger bevins iii

Yes, efficacious, thank you friend

hans vollman

So each character speaks and you know who it is by seeing their name below what is spoken. But that is lost in the audiobook. Although, the audiobook was great in that each character was a separate voice actor. So hearing Nick Offerman (as Hans Vollman) talk about pooping in his sickbox in the first chapter was a very rewarding experience, but also very confusing, because I had no idea what he was talking about.

The book is also written in alternating chapters. One is in the cemetery with the ghosts. The next is a series of citations, some real, some not, that gives context to the events leading to Willie's death. The citation chapters are also strange to hear via audiobook and might be a reason to pick up the actual book instead.

In the end, I listened to the last part of the book using both the audio and hard copy versions and felt like I got more out of it that way. I even went back and reread certain parts, which made more sense after I realized what was going on.

But whatever your medium, give it a try. This is a book unlike any other you've read. And it's worth the effort.

Mislaid in Parts Half-Known by Seanan McGuire

This is book nine in the Wayward Children Series, a series of books about children who have found portals into alternate worlds that can be the stuff of nightmares or dreams, depending on the child. 

A good thing about this series is that you could probably read the books out of order, since they deal with different children and worlds. But there are recurring characters and themes throughout, which might be lost by going out of order.

This book is about Antsy, who has a knack for finding lost things, which, as you can imagine, may include doors to secret worlds. Antsy finds herself and a group of friends, including a land-bound mermaid, a boy from a skeleton world, and a girl who died in a previous book, on a quest. They jump from door to door in order to avoid the wrath of Sarafina, a student with the ability to make people do anything for her. 

Eventually they land in Antsy's world, where lost things go. It's a nexus world, with a store for travelers. She worked at the Store of Lost Things, where people can open a multitude of doors and explore different worlds. In her case, Antsy used the doors for trips to buy supplies or opened doors for her employer to make visits to other worlds. Antsy eventually learned with every door opened, there is a cost, and she wants to hold the store owner accountable for not telling kids what that cost is.

This lore about the doors is interesting because it applies to all the books. We also get to see multiple worlds, including Prism, which is Cade's world, that he doesn't like to talk about (although I don't think this book does much to help in that understanding). While this is a great overall book for the series, with a lot of relevant information, I found it meandering in execution.

Once again, I am torn about these books. I know I'm not their target audience, as the series skews younger. But I appreciate the concept. The books are so short, however, you don't get a lot of world-building. And they deal with heavy topics like death, sexuality, and belonging in such short packages, that sometimes I feel it's not enough to really dig in. But I also am not engaged enough to want a longer book. I keep picking them up thinking, "this will be the one I truly love" and it hasn't happened yet. But I think they're great for junior high or high schoolers because they are so short and sweet, but still heavily packed with relevant topics.

So while I keep feeling meh about these books, there's something that keeps me coming back because they are so creative, if not fully fleshed out.