The Night Guest by Hildur Knútsdóttir

After finishing this one, I thought, "well that was a sweet little horror novel." I'm not sure I can verbalize why sweet is the best word, but it really is. 

Maybe it's Mary Robinette Kowal's subtle hints of humor alongside the terror in her voice as she narrates Iðunn (pronounced Ethun) in Knútsdóttir's novella. I rooted for Iðunn and was horrified alongside her as events unfolded. I wanted Iðunn to wake up feeling refreshed, not like she just walked 5 miles or wrestled a bear. What other explanation could there be for the soreness, bruises on her body, and blood under her nails night after night?

Maybe it's the book's format of 100+ chapters - but many just a single sentence. It was nice not needing pages and pages of explanation and exposition. It's really quite simple, Iðunn isn't sleeping well. In her journey to figure out why, she tries psychotherapy, sleeping pills, insomnia, dating distraction, GPS, and a step-counting app. Despite the overall brevity, Knútsdóttir still managed to create someone you care for and seem to know pretty well. 

It definitely wasn't the sinister undertone of Iðunn's morning revelations.

Or the cats.

And it wasn't the reveal. Definitely not the reveal, which I'm a little flummoxed by, to be honest.

But somehow, at the end of the day, I was able to listen to this novella in a few hours and got a fun head scratcher out of it. Unconventionally, horrifically, sweet. 

Pride and Prejudice by Jane Austen

This is a part of my quest to read those books I feel like everyone had to read in high school, but somehow I didn't. My goal? To know what people are talking about when they reference this book, and to hopefully understand the source material for some pop culture references.

Well, now that I've finished the book, I realize I overestimated the pop-cultural currency this book contained. I don't feel like there were moments where I said, "THAT'S where that came from!" And I didn't get to understand why Jane Austen is such an amazing author (I'll duck if you want to throw shoes at me now). 

Set in the early 1800's in England, I at least hoped to get some interesting details about life in that time. But it was a long slog of ladies gossiping and talking about marriage and visiting homes to realize there wasn't much that I would take with me. And I feel like not much really happened. It was just all he said this and she said that and NO I WON'T marry you! And blah blah blah. I'm sorry, did I miss a tea time at some manor while I was sighing for the millionth time? But someone might have gone on holiday and I'll never know!

I guess I didn't like the book. But will I watch the movie? Yes I will, if for no other reason than to see if in my utter boredom I missed a good part or not. But I'm pretty sure I didn't and if I did..

Project Hail Mary by Andy Weir

If you liked Andy Weir's first novel, The Martian, then Project Hail Mary won't disappoint as another witty, funny, creative sci-fi adventure. Suspend your belief for this one, as moments of sudden clarity, synchronicity, and serendipity abound. But in order to save the world, everything has to fall perfectly into place, and I was here for it!

In some ways, Weir's protagonist, Ryland Grace, is an everyman archetype - an unassuming middle school teacher with no real drama or intrigue in his life. But in other ways, he's the smartest, luckiest, most well-equipped human in the universe. If you can get past all of that (and I think Weir is able to get us to that point) then PHM is a great story. 

We open to Grace waking up and not remembering where he is or even who he is. But he seems to be in space, which is a problem when you have amnesia...aaaaand have never been in space before. Grace slowly regains his memory through snapshots of his life back on earth. So we get the alternating timelines as a way to reveal why Grace is in a spaceship trying to save the world. To complicate things, there is an unknown vessel near grace's ship that he isn't sure is from earth. But he has to make contact with it in order to complete his mission.

Weir is great at giving us so many scientific details in an easy to understand and relatable way. And Ryland Grace is a smart, funny, and entertaining narrator. And the story itself, about how the sun is dying and what is causing it, is thoughtful and interesting too. 

For more information about Weir and his work, here is his website. And here is a link to the trailer for the movie, coming out next year, added bonus - it stars Ryan Gosling.

Ghost Station by S. A. Barnes

I was going to say this was a first for me in terms of genre: space horror. But now that I think about it, I was introduced to space horror in the 90's when I went in cold to see Event Horizon and walked out of the theater in horrified silence. THAT shit was space horror. 

But we'll take it down a notch and talk about Ghost Station, which is set on an alien planet with a long lost civilization. We follow a team of explorers to this planet which includes psychologist Dr. Ophelia Bray, who is there to help them deal with the recent loss of a team member. But she is also there to screen them for signs of ERS, a debilitating space disease that results in psychosis.

While it can be assumed Dr. Bray won't immediately be accepted as a part of this already established team, she can't help but feel like there is more they aren't telling her. The leader of the team doesn't support her presence and the others' treatment of her range from indifference to outright resentment.

As they explore this long abandoned planet, the team's grief over their lost teammate, coupled with disturbing discoveries, make it difficult for Dr. Bray to discern if someone's behavior is due to grief, deception, or emerging signs of ERS. 

Of course, Dr. Bray isn't immune to developing ERS either, and her past, which slowly unfolds for us, makes her wonder if she might have a predisposition for it, because her team aren't the only ones acting strange at times...

While this wasn't Event Horizon level space horror (and let's be real, thank God for that), it was a solid read. I'd pick up another one by this author, who apparently writes a variety of genres, from YA and Romance (as Stacy Kade) to horror (as S.A. Barnes).

  

The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix

Grady Hendrix and I have an on-again off-again relationship. I didn't like Horrorstor, but I appreciated the premise and the book itself in terms of the illustrations included. I enjoyed How to Sell a Haunted House enough that I decided to try The Southern Book Club's Guide to Slaying Vampires and give him another chance. I will give him credit for being an author that I picked a random book from because of name recognition. So there's that working in his favor.

But we are back in a slump, unfortunately. Here's my list of notes during reading:

• All the characters are terrible
• When trying to figure out if James is a predator, all kinds of excuses are offered to let him off the hook, but the fact that Patricia actually SAW him violating a girl is just ignored
• Patricia's husband treats her like a child
• Book relies on coincidences (like a nosy neighbor logging license plates)
• "...it was a white monstrosity painted white..." What color was it again?
• Patricia had a sex assault victim take a shower before going to the hospital (she is a NURSE obsessed with true crime novels)
• Husband upon hearing his daughter has a drug problem "This is from YOUR side of the family" It was just a stupid line, which I get is the point, but it grated on me
• This poignant quote: "...'Mary Ellen!' Mrs. Green shouted, using her first name..." 
• The women act like female Peanuts characters (i.e. bitchy, frowny-faced, accusatory children)
• Patricia KNOWS James is a predator and is trying to convince everyone of this, yet it's ok for her son to stay at his house.
• The husbands' solution to the women accusing James of heinous things is to have him join the wives' book club...like, what?

Having said all of that, Hendrix might be turning into a guilty pleasure for me...because I was interested in the story. Even though I hated all the characters and could use the plot to strain spaghetti, I still wanted to know how it ended. And it didn't irk me enough to write off Hendrix forever. By managing my expectations and not taking his books too seriously, I'm in a better headspace to handle the annoyances and let the absurdity wash over me. And I suppose there's a place for that in my reading life, with the right mood and expectations.

FantasticLand by Mike Bockoven

 

If you strand a bunch of (mostly) 20 something year old adults who work in a theme park for 35 days during a natural disaster, what do you think would happen?  If you're hoping for Temptation Island level hijinks, you'll be sorely disappointed. But if you're leaning toward murder and heads on a stick level violence, then this is the book for you! Think Lord of the Flies, but with adults and multiple tribes.

This book works for a lot of reasons. First, you have basically everything you need at a theme park, food, water, shelter, commercial goods...and then you have a lot of other fun things too, like pirate coves and circus tents and underground tunnels. So there are a lot of different directions things can go, and they certainly do. 

What doesn't work for me though, is the format of the storytelling. The book is a series of interviews conducted after said events. While this is great in that you get a lot of perspectives, you also don't get too much depth from anyone in particular. And the book reads more as a series of short stories rather than a cohesive narrative. 

Another point, if you're listening to the audio book, each chapter is told by a different person. Since these are interviews with "normal" people, there is a lot of throat clearing and "but you're not asking about that..." or "I'm getting off track" sort of comments. It's fine every now and then, but it's an overused device, in my opinion. Obviously, this is written into the book as well, but it came across more as a bad reader's theater (remember those!?!). 

And while the story is overall entertaining, it's over the top. As I already mentioned, the people stranded at the park pretty much have everything they need to ride out the storm. Why then, do they devolve into tribes that resort to murdering each other pretty much on day one? We are talking cutting hands off and branding people level of depravity. But if you're willing to overlook the obvious "but why" issues and don't look too deep into the mechanics of the story, this can be an entertaining read. 

Take the tribes, for example. After the initial hunkering down, people split into various areas of the park. Those who inhabited the circus area are the Freaks, (my favorite of the tribes, by the way, for creating a circus-themed horror show). The most vile and violent went to the Pirate's Cove. There are also the shop girls, the Fairies, the Deadpools, the mole men, and the robots. Why the Deadpools have multiple amazing archers or the Pirates have an actual working cannon is beyond me, but we aren't here to look too deep into this.

Of course, not everyone is ascribed to a tribe, so there are a couple of miscellaneous but compelling stories peppered in. Like from a man who inhabited an empty hotel but was stalked by a mysterious couple or the story of a woman who helped run the med tent. 

This book seems like a great idea to spawn a TV series or movie. I feel like the ideas are there but could be developed into something more. While it was overall entertaining, but just had me wanting a little more.

Grown Women by Sarai Johnson

Sarai Johnson teaches writing and literature courses at Howard and American Universities in the DC Area, and apparently wrote Grown Women, her first novel, in her free time. In my free time I do things like sleep, or sit around and do nothing, or make lists of things I should be doing. Okay okay, I also read the product of other people's free time.

Which bring us full circle to Grown Women, a novel about four generations of women, with the story beginning in 1974 when 19-year old Charlotte leaves home after giving birth to her daughter, Corinna. Out on her own, Charlotte struggles to create a stable life for her and Corinna. Despite Charlotte's upscale upbringing, she doesn't reach out to her mother, Evelyn, for support. And she never talks about the reasons she left home for the backwoods of Tennessee. When Corinna turns 18, she conceives her daughter Camille with a man whose life trajectory doesn't include them, at least not publicly.  Together, the three generations of women navigate life, often through increasingly contentious moments.  

After things between Corinna, her husband Isaac, and Camille come to a head, Corinna turns to Charlotte for help. Seeing that her help can only go so far, and wanting to provide Camille the best possible outcome, Charlotte eventually turns to Evelyn for help, which makes them face their past and reconcile it with the present.

This isn't a story with a specific destination or bad guy. It's more about how life can be good sometimes and bad other times. It's about the decisions we make daily and those closest to us. Amidst the usual struggles of making ends meet, raising a child, and finding a partner, Johnson peppers in the unusual struggles of suicide, homicide, and abuse. She also examines generational trauma and how it spreads for decades in unspoken ways. We experience how these women try to overcome that trauma and stop perpetuating the pain it inflicts, and the messy process that comes with all of it.

I'll be honest, this isn't a book I would normally pick up. It doesn't have a catchy premise or strange twist. But it's about struggles we have all dealt with and is told in an engaging way. And for a debut novel, it makes me curious about what Johnson writes next.  

The Power by Naomi Alderman

This is a story that Alderman describes as feminist science fiction - a type of speculative fiction that I like to call a "what-if" story.

The Power examines how power comes in various forms - whether physical, societal, something you are born into, something you can take from someone...and the list goes on. Alderman explores what happens when women develop an organ called a skein that enables them to deliver electrical shocks. Their inherent ability to physically overcome any man changes the balance of power in the world entirely. 

The Power is written as a manuscript of these events, having taken place thousands of years earlier. It catalogs the emergence of this new power eight years prior to a cataclysmic event. There are several stories we follow including a journalist's careful observations of women's use of their power, two women in government positions, one in the US and another in the fictional Bessaparra, and other women who have experienced violence by trusted men in their lives including Roxy, the English daughter of a mobster, and Allie, whose grasp of The Power leads to her god-like status among some.

As you can imagine, each take a different approach to what they think women's new role in the world should entail. Of course there are some who are more militant than others and some who are more benevolent than others. I guess the overarching question is, will things be different with women in charge? Or will those in power fall into the same traps as their male predecessors?

The Power has a televised series (on Prime Video) that is fantastic. It might be one of those rare instances where I prefer the televised version to the book. But that's not to say the book isn't worth reading. It's an interesting premise that explores a lot of thoughtful questions, but you'll want to check out the show after reading the book

Mexican Gothic by Silvia Moreno Garcia

Moreno Garcia does an amazing job setting the right mood in this newer gothic tale. Set in Mexico in  the 1950's, you forget that the world is more modern than what Noemi Taboada experiences. Having grown up in Mexico City to an affluent family, Noemi's life is more about finding a worthy suitor and getting married than education or developing skills to join the workforce. 

Despite this, Noemi is a confident, charming, smart woman who would like to study at the University. While she enjoys fancy parties and delightful banter, much like a Disney princess, she wants moooooooore...Her father reluctantly agrees if she will first travel to a rural town to check on her recently married cousin, Catalina. 

What follows is a tale set in an isolated home on a treacherous hill complete with a foggy cemetery. Although it's the 1950s, the home doesn't have electricity and is intentionally kept dark and quiet. There don't seem to be telephones as everyone corresponds by letter. And dinner is in silence at the behest of the family patriarch, the mysterious Howard. There's also a lot of snake references, botany, nightmares, old mining lore, and a family secret.

Speaking of family, we have the wistful and delicate Catalina, who only speaks in riddles (because why can anyone speak plainly to explain a situation), and who has brought Noemi due to the strange letters she sent. There are also servants who act like NPCs, Catalina's seductive and questionably evil husband Virgil, the strict buttoned up Aunt Florence and her meh son Francis. Throw in a few doctors and a mysterious healer who trades town gossip for cigarettes and you have your complete cast of characters.

At the end of the day, this is a strange story and I'm not sure what I think about the punchline. It's somehow not based on a novel idea, but definitely different in execution. If you've read Children of Ruin or The Girl with All the Gifts, you'll definitely see some parallels, and these are all really different genres. I'm also reminded of Riley Sager's books, which have similarly interesting, if not a little fantastical, stories. 

This book took me awhile to finish. I'd start and then get distracted and start again and finally got the audiobook and powered through it. I don't know if I'm just better at listening to audio books or if was a great narration, but I enjoyed my final attempt much more than the first two. But not getting hooked right away makes me ambivalent when it comes to seeking out Moreno Garcia's other books. While I won't go out of my way to reach for another one, I'd be open to a recommendation.

The Husbands by Holly Gramazio

I love "what if" books, where you have a premise that the author just goes with, no matter how out there it is. And the question of how or why really isn't the point. I think Jose Saramago is great at what ifs, but reading his books requires a degree of patience and concentration that Gramazio doesn't demand.

So, what if...a husband emerged from your attic? Forget the fact that you're not even married, or that you have an apparently magic attic. What would you do? What if, every time your husband went into the attic, he disappeared and a new one came out?

Could it be fun shopping for husbands? That one's too tall,  that one's wearing a terrible shirt, that one chews too loudly. And even if you get a good one, you can't help but wonder if he's the best the attic has to offer. Then there's the business of how to get the bad ones back in the attic and how to keep the good ones out of it.

As I'm writing this, I'm realizing how incredibly misandrist this sounds, but hear me out! Gramazio is able to take this premise and write a compelling and very funny story. Coming off of reading The Three-Body Problem, I'm starting to realize Lauren's life in The Husbands has its own periods of stability and chaos. And even the so-called stable periods, where she doesn't immediately send a husband back to the attic are filled with tension - if she likes him, how will she keep him from fetching that much needed box up there? If she doesn't like him, how will she get him back in? And what I like the most is how Gramazio shows the multiple variations of Lauren's life had she just made slightly different decisions - and how this affects her relationships with her friends and family. There's rich Lauren, poor Lauren, swinger Lauren, her best self Lauren, the Lauren who married her ex, and more.

And then there's Bohai, one of Lauren's husbands who seems to know more than he lets on when he comes down those attic stairs. I feel like Bohai needs his own book. He was such a fun, well-written partner. I loved any chapter that had him in it.

So what would you do with a magic attic? Would you embrace its power? Or run for the hills? Whether or not you agree with Lauren's choices, you'll love seeing her make them.

Children of Time by Adirian Tchaikosky

I read this book to get my brother to stop talking about alien *insert creepy animal here (I don't want to spoil it)*. Every time I'd see him, he would ask if I read Children of Time and then proceed to explain the premise as if he hadn't explained it to me the last time I saw him. After maybe the fourth or fifth time I decided to read the book to shut him up.

Look, I'm not a big sci-fi reader, but this one did actually sound interesting to me. It's about how Earth begins terraforming planets to prepare them as possible future homesteads for humans. Part of this plan involved developing a nanovirus to speed evolution in a selected species, allowing it to quickly evolve on one of these planets. This was a hail Mary in case the human species didn't survive.

Most of the book occurs thousands of years after these efforts, when humans only have faint memories of the "old empire" that carried out the terraforming and nanovirus projects. A spaceship of hundreds of cryogenically sleeping people has set out to find one of these planets and inhabit it, as Earth is increasingly becoming uninhabitable. After finding a potential planet, they are stopped from landing by what seems to be a keeper of the planet. It's unclear if they are communicating with a human, AI, or a combination of the two. But what is clear, is the entity will do everything in its power to protect the planet and its children.

A great aspect of this book is that we get the perspective of the inhabitants on the spaceship but also the inhabitants of the terraformed planet. While I was less interested in their day to day life and politics (which was still interesting), I was fascinated by their idea of religion, which involved the mysterious keeper of their race. The premise provided a great way to explore the idea of a species origins and the development of religion. While it seems plausible to understand how this civilization came to its beliefs, it really makes you wonder about your own.

This is the first of three books in the Children of Time series, which was awarded the Hugo award for best series in 2023. I liked this one so much, I'll pick up the next, Children of Ruin, which is about a different terraformed planet. I haven't heard anything more about the plot, which probably means my brother hasn't read it yet. I'll have to read it first and tell him all about it! 

I Was A Teenage Slasher by Stephen Graham Jones

 

This is an unusual take of the slasher genre that I found refreshing. Is that an appropriate word to use when talking about slashers? Probably not, but I'm not sure what would work better...it was gruesomely delightful. How's that?

I can't say it's the first of its kind - the story reminds me of Scream, or even, to a lesser extent, Cabin in the Woods, where there was a comical self-awareness of the genre embedded in the story. 

I was a Teenage Slasher is narrated by Tolly Driver, who was a teenager in a small town in Texas in 1989. He's looking back and telling us how he became a slasher whose killing spree ended up spawning the to be expected media storm but also a movie! If there's a trope involved in slasher stories, it will likely be in this book, but in a tongue and cheek way. And while Tolly isn't super knowledgeable about horror and slasher lore, his best friend, Amber, is. 

The event that preceeds Tolly's metamorphosis is a story in itself...a revenge massacre that is too out there to believe. And after that night, Tolly experiences strange symptoms that seem to give him superpowers, like night vision and super strength. But with these enhancements come a realization that they aren't to be used for good. Tolly and Amber try to understand what is going on and to prevent him from acting out, but nothing seems to stop his transformation. It's inevitable and there are rules that must be followed. But can he learn the rules and circumvent them somehow?

One comment about Tolly's narration, he speaks in a way that I found difficult to follow. His thoughts seemed disjointed and lacking in context. There were also a lot of characters who would say something and then say, "what" at the end, which I didn't really get. For example: "She break up with you already, what?" I don't know if that's a regional thing or not, but it seemed strange.

Or there would be a phrase or description I just didn't get, like this one: "We went all the way down to the gate then walked back along the fence to take the steps up like a citizen." Or there was this sentence, "Too, though?"

I think it's partially Tolly's way of speaking but there were a lot of these little things I'd come upon while reading that just made the book a little harder to get through. The story itself was okay, but more a vehicle to explore the premise, which is what I really enjoyed. It was overall a fun and clever read.   

One Puzzling Afternoon by Emily Crutchley

This book follows what I find to be a common formula: an (arguably) unreliable narrator, and two different timelines: one in the 50s and the other in the 2010s. So we get bits and pieces of a mystery about a missing girl in alternating chapters. 

Our narrator is 82-year-old Edie (or 15 years old in the 1950's time-line). As a child, Edie is an outcast. She's poor and has an unusual home-life, as her mother performs seances. Edie meets Lucy, the mayor's daughter, and they become friends. While Edie adores Lucy and finds her life glamorous in many ways, Edie knows Lucy's love-life is a mess. While the handsome, popular boy is enamored with Lucy, she only has eyes for a much older, married man.

As an 82 year-old woman, Edie struggles with the onset of dementia. Thinking she sees Lucy one day sets her on an obsessive search of her own mind to remember what happened the day Lucy disappeared.

What works for me in this book is how Crutchley portrays Edie's dementia...how we see things from her perspective. Edie might say something that seems nonsensical to anyone else who doesn't know what she's thinking about at the time. But it makes sense to us, because we are privy to her thoughts. But that's not to say Edie is simply misunderstood, she's still suffering from dementia. So she might think she's in the 1950s timeline when it's 2018. But knowing that makes her responses make sense. 

I also like Edie's mother, who we don't really know is a fraud or not. There are definite indications that she is, but also indications she isn't. Is she accidentally right some of the time? Or does she have the gift of third sight without knowing it or fully understanding it? In some ways, she's like 82 year-old Edie. Not always making sense in the moment, but time has a way of bringing things together. 

While it's a good book, it wasn't one I couldn't put down. And much like those with that formula, it's fun in the moment and an easy read, but not one of my year's best. 

Mislaid in Parts Half-Known by Seanan McGuire

This is book nine in the Wayward Children Series, a series of books about children who have found portals into alternate worlds that can be the stuff of nightmares or dreams, depending on the child. 

A good thing about this series is that you could probably read the books out of order, since they deal with different children and worlds. But there are recurring characters and themes throughout, which might be lost by going out of order.

This book is about Antsy, who has a knack for finding lost things, which, as you can imagine, may include doors to secret worlds. Antsy finds herself and a group of friends, including a land-bound mermaid, a boy from a skeleton world, and a girl who died in a previous book, on a quest. They jump from door to door in order to avoid the wrath of Sarafina, a student with the ability to make people do anything for her. 

Eventually they land in Antsy's world, where lost things go. It's a nexus world, with a store for travelers. She worked at the Store of Lost Things, where people can open a multitude of doors and explore different worlds. In her case, Antsy used the doors for trips to buy supplies or opened doors for her employer to make visits to other worlds. Antsy eventually learned with every door opened, there is a cost, and she wants to hold the store owner accountable for not telling kids what that cost is.

This lore about the doors is interesting because it applies to all the books. We also get to see multiple worlds, including Prism, which is Cade's world, that he doesn't like to talk about (although I don't think this book does much to help in that understanding). While this is a great overall book for the series, with a lot of relevant information, I found it meandering in execution.

Once again, I am torn about these books. I know I'm not their target audience, as the series skews younger. But I appreciate the concept. The books are so short, however, you don't get a lot of world-building. And they deal with heavy topics like death, sexuality, and belonging in such short packages, that sometimes I feel it's not enough to really dig in. But I also am not engaged enough to want a longer book. I keep picking them up thinking, "this will be the one I truly love" and it hasn't happened yet. But I think they're great for junior high or high schoolers because they are so short and sweet, but still heavily packed with relevant topics.

So while I keep feeling meh about these books, there's something that keeps me coming back because they are so creative, if not fully fleshed out. 

Tales of a Fourth Grade Nothing by Judy Blume

I'm a little embarrased to admit that I'd never read a Judy Blume book. I know Superfudge and Are You There God? It's Me, Margaret were big hits when I was growing up. But I never picked them up, despite the fact I read a lot at that age.

And now, I have a son in 4th grade. And he was reading Tales of a Fourth Grade Nothing. So I decided to read it too. And here's my takeaway: 

Fudge is a terrible human being. Case in point: Fudge eats Peter's turtle, which makes him a monster. Full stop.

This book is supposed to be about Peter, but his 2 1/2  year-old brother Fudge consumes his life with awful, out of control behavior. And poor Peter has to constantly adjust and cater to it. It is so on brand that even a book about Peter ends up being about his annoying litter brother. 

Peter is well-behaved, hard-working, and responsible. His parents constantly ask him to do things to appease Fudge, or to stand aside while Fudge takes the limelight, or to redo his school project because Fudge destroyed it. 

I guess I had feelings while reading this book. I don't know if it's supposed to be funny, but I couldn't stop feeling bad for poor Peter while wanting to strangle Fudge. So I asked my fourth grader what he thought of the book and he agreed, "that kid's so annoying!"

So it's not just me or my adult perspective. Fudge is more horror villain than comedic device. But it made me feel something. And I guess that's the sign of a successful book, for better or worse. 

The Hidden Hand or Capitola the Madcap by E.D.E.N. Southworth

FLAMES AND FURIES!

Get ready for hundreds of pages of exclamations, ejaculations, and interjections! But really, there is a lot of ejaculating in this book. 

The Hidden Hand was originally published in the 1850s in serialized form, but later published as a book in 1888. This is an overly dramatic, noir-styled, mustachioed twirling romp in which the characters only seem to speak in all caps and exclamation points. And to give you a feel of the writing, I will be ejaculating several times throughout this review.

HOITY TOITY!

The book is named for Capitola, our brave and bold heroine. She is independent and bucks societal norms. And by page 100, I was thinking we hadn't heard much about her.

PISH! TUSH! PSHAW!

The book is also about an old curmudgeony man who adopts Capitola after learning of her from a woman on her deathbed. 

HORRIBLE HORRIBLE! 

And we learn about several others whose lives are so intermingled you might need a venn diagram to parse them out, but it all comes together in the end, if only because of a series of strange coincidences.

POOH POOH, NONSENSE!

There are of course villians, soliloquies, and plenty of humphs. 

HEAVEN OF HEAVENS NO!

And if you are short on how to describe people, this is your book.

YOU ARE A PERFECT DRAGON! A GRIFFIN! A RUSSIAN BEAR! A BENGAL TIGER! A NUMIDIAN LION!

Despite the constant ejaculating and age of the story, it was surprisingly easy to read. But after reading over 300 pages, I think it's safe to say, this is not my genre. While I'm proud of myself for finishing it and reading something completely out of my wheelhouse, I'm not sure this is a book I'd recommend given all the other options out there. 

Circe by Madeline Miller

Whether or not you know anything about Greek Mythology is irrelevant when it comes to reading Circe. You could go in cold, like I did, or with a vast knowledge of the myths.  

If, like me, you thought of Greek myths as being about otherwordly beings who have little in common with mortals, you may be pleasantly surprised by this book. Miller makes the gods human, accessible, fallible, and vulnerable. And I guess anyone who knows anything about these stories might already know that, but I didn't. 

Circe is the daughter of Helios, who is the Sun God. She lives in a house occupied by many nymphs, or cousins, essentially. Although there are many things that are unusual about her upbringing (she is a goddess, after all), she also faces many things normal people face - mean siblings, crushes, jealousy. Circe grows up, not really having any indication that there is anything unusual about her, besides her upbringing and place in society. If she loves a mortal who is poor, for instance, she can go to a powerful relative on his behalf to better his life, but she seems unable to do much on her own. Yet Circe dabbles in the power of farmacia, mixing herbs into potions, and soon realizes strange things happen when she does.

Circe's creative use of farmacia eventually results in her forced isolation on an uninhabited island, Aiea. It is here she develops her skills in witchcraft, making potions and salves to cater to various needs that arise. She develops a skill for transformations, and has wolves and lions as her companions. She occasionally has visitors, like Hermes, who give her company and news of the outside world. She also hosts lost and seaworn sailors who land on her island, most notably the warrior Oedipus, who tells stories of the Trojan war and his conquests. She is even given a reprieve from her solitude when her sister Pasiphae summons Circe to help Pasiphae give birth to a son, who eventually becomes the minotaur.

I didn't realize how many of these stories I knew, at least peripherally. I also didn't realize how intertwined all these stories were. What I like about Circe is how Miller seamlessly relates all these tales in this one narrative. And throughout all these stories, we learn a bit about what it is like to be immortal and how immortal beings view mortal ones - as brief interruptions in their greater world. She also did a great job showing the gods and titans as beings who, despite their immortality, are just as petty, if not more so, than mortals. She really brings the drama of the gods and titans to this book like a great soap opera that's been running for centuries.

But unlike a soap opera, the writing is beautiful, almost wistful at times. Circe, although much maligned (it seems) is relatable and you want her to succeed in everything she does. She is a goddess who started out as a nymph and toiled to greatness, despite her solitude. In fact, she might have made the best bottle of wine from those sour grapes and we get to enjoy it with her in this beautifully told story.

Scenes of the Crime by Jilly Gagnon

This is a classic beach or vacation read, with I Know What You Did Last Summer vibes but. You know, I say that, but I haven't read that actual book. I might have watched the movie a looooong time ago though.

Ok, there are major differences probably. But we have a group of friends, including Emily, who lost their friend Vanessa one fateful night at her family winery conveniently high up on a treacherous ocean cliff. At Emily's suggestion, several years later, the friends reunite. 

Emily's motives aren't completely benevolent. Sure, she wants closure, which she doesn't feel she has, especially since she thinks she saw Vanessa recently at a coffee shop. But as a way of dealing with the tragedy, Emily, who is a writer for a popular sitcom, is also working on a manuscript of the fateful weekend. But, and this may surprise you, Emily's recollection of the events might not be entirely accurate. And she thinks her friends might be able to fill in some of the details. So she needs to get everyone together to figure out what happened...and to finish her manuscript, which, by the way, we have the pleasure of reading as a stand in for some of the chapters. I guess it's a variation of the multiple perspective narrative trope. 

But these women weren't really all that close, it seems. And besides not being the best of friends, they're not the most likeable either. So when they spend a weekend reuniting, you also get to experience the "ugh, I don't really like these people, why am I spending a weekend with them?" vibe. 

But don't get me wrong, it's not terrible, but it's not super memorable either. It's one of those books that you read when you want a light thriller to pass the time. At least we spend this weekend in a high-end winery in a quaint town and are oft encouraged to relax and enjoy a glass. And while it's not essential to get through the book, it might take the edge off and help pass the time. 

Negative Space by Gillian Linden

"No one is suggesting anyone should react to anything in any particular way."

I think that is the guiding principle of many people who, whether they realize it or not, end up showing tolerance and ambivalence at the same time. And it sums up how I felt about this book.

When I first started listening to this book, I thought the narrator was a teenager. She is timid, insecure, anxious, questioning of every little thing around her. I soon realized she is a teacher at the school, not a student. And listening to her thoughts is so irritating at times, I wasn't surprised when her own daughter commented she wished some random woman was her mother. Just a casual example of how little her own family regards her.

This woman, who isn't even of consequence enough to have a name, seems like the kind of person who walks around with a frown and perpetually furrowed brow. Even her peers treat her like a child in need of  placation. Thankfully, we are only spared to walk in her shoes for a week. And nothing is resolved, but I get the feeling that's the point. She constantly questions and worries about everything while the world goes on around her.  

I'm not sure I get this book. It's a quick read and handles interesting topics, like post-pandemic life, specifically in a school setting. There is also the question of possible inappropriate advances from a teacher to a student. And we have issues with anxiety and what life can be like for someone who suffers from it.

But the story unfolds in such an undramatic way, I was surprised when it ended, but also a little relieved that I didn't have to endure this person's company anymore. While I can't say I regret reading Negative Space, I'm not sure I'd recommend it either.

The Girl with All the Gifts by M. R. Carey

This is a book best discovered blind, without knowing the plot or even genre. But if you already know, or don't mind mild spoilers, read ahead. 

"That's Pandora...she was a really amazing woman. All the gods had blessed her and given her gifts. that's what her name means, the girl with all the gifts. So she was clever and brave and beautiful and funny, and everything else you'd want to be. But she just had the one tiny fault, which was that she was very, and I mean very, curious."

This is a book that, on its face, is about an apocalypse. But it's also about well-meaning people who make mistakes. Is there a pandemic? Yeah. Is there a quest to find a cure? Of course. Are there great explanations for its cause and future prognosis? Yup.  

But what I like are the characters, and the fact that there aren't really good guys or bad guys. While there are those who seem like they fit one category or the other, Carey blurs those lines and gives her characters more dimension as you get further in. 

"The infection was bad...so were the things that the important decision people did to control the infection, And so was catching little children and cutting 'em into pieces. Even if you're doing it to try to make medicine that stops people being hungries. It's not just Pandora who had that inescapable flaw. It seems like everyone has been built in a way that sometimes makes them do wrong and stupid things."

Much like Pandora, whose legacy is really maligned, Carey describes her as a gifted, wonderful person, with just a tiny flaw. But aren't we all like that? And the more I thought about it, the more I realized Carey isn't just making this comparison to one character. I saw Pandora in a lot of her characters. She has many who are gifted in their own way with their own flaws that, some would argue, are worse than others. How will each be remembered? What is their legacy? And I think whether the legacy is good or bad depends on who survives the apocolypse that has unfolded.

It's a thought provoking read and also just a really great story. There is also a movie that is pretty good as well, but barely scratches the surface when it comes to covering what is in the book. There is also a prequel, The Boy on the Bridge that came later. Might be worth checking out.