Showing posts with label Jose Saramago. Show all posts
Showing posts with label Jose Saramago. Show all posts

Sunday, May 6, 2012

Blindness by Jose Saramago

I was in Portland on business and heard that one of Portland's treasures is Powell's books. So I checked it out. If you haven't been there or heard of it, Powell's is a new and used bookstore that literally takes up an entire city block. Each room has a genre, labeled by a certain color (Want a mystery book? Head to the gold room. Children's? That's rose). There's also the rare book room, whose hours, if you're only visiting for a few days, seem just as rare as the books inside. And there are other little treasures hidden within as well. If you want to take a book and read for awhile, you're welcome to go to the coffee shop and relax. And I discovered my new favorite book "Go the Fuck to Sleep." (If you are one of the last people, like me, to hear about this little treasure, I'll review it next.)

I say all that to say this...there was a Nobel Prize section that featured several books by Portuguese author Jose Saramago. I had read his book, Death with Interruptions, last year, and selected it as one of my top five. So I was excited to see what else I could pick up. I saw what appeared to be several histories, like The Gospel According to Jesus Christ, and The History of the Siege of Lisbon. I figured Saramago had a boring side to him, but I should have known better. Apparently the former is a highly controversial book about the fictional retelling of the life of Jesus. It won him critical acclaim but also instant disapproval with the Roman Catholic Church (among others). But hey, cut the guy some slack. How many atheists do you know that would even give JC another thought?

And the latter is a book about "Raimundo Silva, assigned to correct a book entitled The History of the Siege of Lisbon by his publishing house. Silva decides to alter the meaning of a crucial sentence by inserting the word 'not' in the text, so that the book now claims that the Crusaders did not come to the aid of the Portuguese king in taking Lisbon from the Moors." (thank you wikipedia).

What I like about Saramago is his out of the box, creative, and some would say, dangerous thinking. Each one of his books has some strange twist. If you really want to dig deep, you can talk about modern parables and allegories and whatever other literary devices people who KNOW throw out. But it's simple for me. He's interesting. You just have to get past his style...

Saramago has a thing about punctuation, especially commas and quotation marks. His characters engage in dialogue, but besides using a capital letter with each new speaker, he doesn't differentiate between speakers. He also writes from a third person, narrative perspective. So I feel disconnected from the characters. But I have to say this book was loads easier to read than Death with Interruptions. I don't think that's because it's actually written in an easier to read style, it's because you can get used to Saramago's style. And it was easier for my mind to adjust, having been conditioned by his first novel. I guess.

So on to the actual review...Blindness is about a country that is struck with a mysterious disease, only described as the white blindness, where (surprise surprise) people are instantly and seemingly randomly struck blind. Saramago begins with patient zero and those who shortly follow. The government decides to quarantine the blind and those who have been exposed to the blind. The first half of the book is about the quarantine. At first dozens, and then hundreds of people occupy a hospital, which is guarded by the military. Unable to organize, and with no one to guide them, the living conditions in the hospital degrade exponentially. To make matters worse, a group of internees withhold food from the rest of the wards. It's almost like Lord of the Flies meets World War Z.

SLIGHT SPOILER AHEAD...

The second half of the book involves the release of the quarantined after the sickness strikes the entire country. Here's where comparisons to a zombie apocalypse really become evident. Saramago follows a small group from the hospital as they try to survive, looking for food, housing, and their families.

END SPOILER

It took me awhile to get into the book, probably because I was stumbling through it at first. But as I got used to the writing style, and the story developed, I became more interested.

In comparison to Death with Interruptions, I felt Blindness was a heavier book. Death with Interruptions, despite the subject matter, had a playful, light feel to it. Blindness, on the other hand, had a couple of disturbing scenes and emphasized the worst in humanity during the quarantine. But that's part of what makes the book interesting. And without telling you the title of the next book (possible spoiler as well)...there is a short snippet from Saramago's sequel to Blindness at the end.

So a solid recommend if you're up to the challenge!

Saturday, February 5, 2011

Death with Interruptions by Jose Saramago (CBR III book #5)

After reading Anne Marie's great review, I put this book on my short list. Her review warned about Saramago's writing style (no punctuation, run-on sentences, etc) so I was fully prepared to channel my high school days of reading Faulkner's The Sound and the Fury, which wasn't a fun time. Maybe it was because I was expecting the worst, but Saramago's book wasn't as bad as I expected. Like Anne Marie said, you have to get past his writing style and I think after about a hundred pages, I didn't notice it anymore. My brain adjusted, I guess. And I'm glad it did.

Death With Interruptions is a study of "what if." What if death decided to stop killing people? What if death gave everyone a week notice? What if someone defied death's order? Saramago writes the book in two main parts. The first part explores death's decision to stop killing people. He discusses the implications of this from the government's perspective and how society as a whole deals with this. Undertakers begin to panic; who will they bury now? Hospitals begin filling up, because people still get sick and injured, but now, those who would normally die are stuck at the brink of death. And the fact that death is still in full operation in the neighboring country gives an underground criminal organization an interesting market to exploit.

The second half of the book deals with death's decision to send letters to everyone a week before their death date. But one letter keeps coming back unread, so death decides to investigate. Who is this person that can defy her? At this point in the story, Saramago really focuses his story from one that deals with society on a large level to one that is now really about death and one individual. We get to see the more supernatural side of death and her operation, where she...lives?, how she keeps track of everyone, and how she travels. Saramago is strangely able to keep the mood of his book pretty light but there are still some really creepy moments as he describes how death can envelope an entire room, or how she watches someone while he sleeps. And the story that evolves definitely kept me turning the pages culminating in an amazing ending.

If you're a bit of an adventurous reader, give this one a go. I definitely recommend it but it falls in the "not for everyone" category because of the writing style. But the story is so good, you just might have to read it anyway, despite the writing style.

On a side note: If you find Saramago's style to your liking, his other books might be interesting too. According to a quick look on wikipedia, Saramago likes to deal with big "what ifs" based on his other books - What if the Iberian peninsula breaks off and floats around the world (The Stone Raft)? What if an entire country is stricken with the mysterious plague of white blindness (Blindness)? And this is just the tip of the iceberg for Saramago, who won the Nobel Prize for Literature in 1998. All in all, a lot of good reasons to pick up his books.

Tuesday, June 29, 2010

Death With Interruptions by Jose Saramago


I don’t care what you say about Portuguese communists, they write good books. Having heard of the passing of Nobel Prize winner Jose Saramago earlier this month I thought I would kick things off with a review of his book about…well, death. That, and because we’re all going to die. Unless I’m wrong, and we end up living forever…but historically speaking it doesn’t look good for us.

For those of you not familiar with Saramago’s work, he is famous for exploring dark themes and human responses to the unimaginable. In Death With Interruptions, death (that’s with a lowercase “d” to you – she’s picky) takes a holiday and no one dies for a year. How do you face the possibility of not being able to die long after you’ve lost the ability to live? Is death doing us a favor by letting us linger at her door? And if there was a way to die, what price would you pay to make it happen?

There are not just personal consequences. Life insurance companies and funeral homes fear the collapse of their businesses. Hospitals scramble to cope as people continue to age and become terminally ill. Religion is hit hard. How can faith strongly steeped in the idea of death and resurrection exist when death is taken away?

In the second half of the book, death returns with a new plan. She resumes her duties, first by eliminating her backlog of overdue deaths and then by implementing the one-week warning. If you are slated to die in the next week, she will send you a lovely notice in a purple envelope so you can get your affairs in order. Is this really helpful? Is death again trying to do us a favor by giving us a head’s up before we die?

And from death’s POV, what happens when the living refuse to die? What does it mean when the purple envelope is returned unopened? And what, ultimately can cause death to discontinue her work to begin with?

A note about style: It will become very obvious very quickly that Saramago did not grow up with Schoolhouse Rocks. The book is marred by lack of appropriate punctuation, run-on sentences, and missing capitalization. Saramago is part of the Pulitzer club that likes to test the boundaries of proper writing style, not to mention the patience of his readers.

To conclude, this is a book I’m not likely to forget soon. Given our fascination with dying, Death With Interruptions makes for an interesting, compelling read if you can get past the author’s writing style. You will not be the first to think “Great story, but would it kill this guy (pun intended) to write normally?”

Posted by: Anne-Marie